In An Artist of the Floating World, Kazuo Ishiguro offers readers of the English language an authentic look at postwar Japan, "a floating world" of changing cultural behaviors, shifting societal patterns and troubling questions. Ishiguro, who was born in Nagasaki in 1954 but moved to England in 1960, writes the story of Masuji Ono, a bohemian artist and purveyor of the nigIn An Artist of the Floating World, Kazuo Ishiguro offers readers of the English language an authentic look at postwar Japan, "a floating world" of changing cultural behaviors, shifting societal patterns and troubling questions. Ishiguro, who was born in Nagasaki in 1954 but moved to England in 1960, writes the story of Masuji Ono, a bohemian artist and purveyor of the night life who became a propagandist for Japanese imperialism during the war. But the war is over. Japan lost, Ono's wife and son have been killed, and many young people blame the imperialists for leading the country to disaster. What's left for Ono? Ishiguro's treatment of this story earned a 1986 Whitbread Prize....more
Paperback, 206 pages
Published March 3rd 2005 by Faber and Faber (first published 1986)
Memory and the heart. Such fragile things on which to build our notion of ourselves. As the old prophet Jeremiah said, “The heart is deceitful above all things . . . Who can understand it?” And memory is surely at least as deceitful as the heart. Both memory and the heart seem to function at the mercy of the transient, ephemeral world of human life. And they are central to the fiction of Japanese writer Kazuo Ishiguro, who just won the 2017 Nobel Prize for Literature.
An Artist of the Floating World is a beautiful emotional set piece. Following World War II, an aging Japanese artist struggles with his experience of post-war Japan. In time, he regrets his role in the rise of empire that ended in the destruction of the old world.
Comparison: Remains of the Day
Emma Thompson and Anthony Hopkins in Remains of the Day.
It may be that most people know Kazuo Ishiguro for his novel The Remains of the Day and its film adaptation, with Anthony Hopkins as the butler Stevens and Emma Thompson as Miss Kenton. In fact, there are significant similarities in tone and theme between the two novels. In both cases, the main character looks back on a career in which he devoted his life to a cause that was later shown to be horribly mistaken and in which he turned his back on a path that would have resulted in a different, and probably more fulfilling life. Mr. Stevens, in The Remains of the Day, does not marry Miss Kenton. In An Artist of the Floating World, the artist Masuji Ono turns his back on “fine art.” Fine art focuses on the fleeting beauty of this world. Ono makes his art serve the empire of the “New Japan.”
Both novels come from a perspective not long after the war. The protagonists look back on a time prior to and during the war, blended with their current lives. The tone of both is nostalgic, beautiful. In An Artist of the Floating World, Ishiguro’s use of an unreliable narrator, whose growth in the novel is toward self-realization, is masterful. Numerous times in the narrative, the artist Ono says it is entirely possible that his memory of an event or conversation is not accurate, that things might not have happened exactly as he presents them. These admissions become part of his growth in awareness of self. They are some of the elements that make him sympathetic and human, and very like all of us.
A reader who identifies with Ono, and feels compassion for him, may experience in reading this novel what Aristotle called catharsis in his Poetics, a vicarious purging of guilt and fear, the impetus toward self-understanding. (See Aristotle on Character) Ishiguro seems to be saying that as we grow older, we come to realize how much of our image of ourselves is dependent on feeling and memory, and we come to understand how fickle, how deceitful, those things can be. If we are to live in peace with ourselves, we must see ourselves honestly and forgive ourselves. We have all committed well-intentioned errors in our pasts. Only with honesty and forgiveness can we live with integrity and dignity.